Polymer Clay: Sleeping Mermaid

Mermaid: Polymer clay, mohair, glitter, half shell, oil paint, approximately 5"

Mermaids are one of my favorite subjects of fancy. This little lady must be dreaming of pearls.

She is sculpted of polymer clay - sometimes with a needle, to get fine details. Her scales and fins are made from original canes. The scaling is in a loose style, more graphic than fishy. Her lacy top is made of thin slices of a crackle cane. I chose gold for the crackle.

In this close-up, you can see her delicate little fingers and soft blushing of the flesh. I use water-based oils, lightly applied with a soft cloth. The details are then applied with a tiny (000) brush.

Water-based oil paint is beautiful on polymer clay. It seeps into the surface of the clay, so you get staining that seems to come within. Acrylics are plastic and though some will stain, most will lay on the surface of the baked clay. I use them for eye liners, sometimes lips and eyebrows. I often mix the water-based oil with a touch of acrylic indoor/outdoor paint for the parts I want to have a stronger pigment.

The hair! Her long locks are made of mohair. This mohair is produced for dolls. It is very soft and obviously dyed. It comes in a hank. A hank is a bundle of strands put up in a consistent length and weight.

I pull a strand, wet it and twist it in my fingers until there is a point at either end of the strand. This dries quickly and holds. I apply glue to the top of the mermaid's head, let it get tacky. I then lay the strand in the glue so there is even length on both sides of the head. This is the start of my wig. I end up twirling the ends of loose strands and then shape them to the sculpture to look care-free.

The final touch is displaying my mermaid with acrylic "ice". You can find it in the floral department. It is pretty to photograph. It is not fun to step on.

Paper Puppets: Mermaid

Mermaid Puppet, paper, stencil board, mini brads, prismacolor, Sharpie marker

PAPER PUPPETS: Mermaid

Articulated paper figures have been called puppets, maquettes, pantins or dolls. I research, modify and perfect my designs to make them durable, movable and creative. I love to make things move. She has nice little wiggle in her middle.

Although I find this a very successful first attempt, I felt the neck was too short.

Mermaid Puppet, detail

The Mermaid.

The Mermaid is my original blank design cut from oiled stencil board and white cardstock. I cut each piece three times.

Once for the white card, twice for the stencil board.

The stencil board is glued together. When dry, it is finished with layer of white card stock, ready to be drawn upon. Once the layered pieces are dry, they are illustrated. Each part is hand-drawn with Prismacolor pencils and Sharpie markers.

The illustrated pieces are layed out and assembled, using tiny brads to form joints so that the puppets can move.

STENCIL BOARD

An old-fashioned board that is fortunately still made. It has changed little over time. Stencil Board is a material used by "old school" sign painters. It is meant to repel inks and paints. It is a card saturated with Linseed Oil and baked. Often three times.

It is a beautiful, durable, crisp board that is very thin and strong. It has a lovely, earthy, mottled complextion and when freshly ordered one can actually smell the Linseed Oil. Stencil board is not generally or popularly used in puppet making or paper arts, but it should be. It is so versatile if you know how to handle it.

I prefer it over chipboard because of it's sharpness and strength despite how thin it is. This is especially attractive to movable projects such as puppets.